The Culture Question: What does Birmingham need?

22nd
Jan. × ’09

The Big City Plan is out for consultation, and it asks some pretty big, and open questions about the city.

Not least this open invitation for anyone who has an interest in the cultural expression of the people of Birmingham:

What further cultural and arts facilities might be needed in the city centre to promote the national and global image of Birmingham?

If you have any interest whatsover in the future of the city of Birmingham in terms of its expression of our collective culture, or making the city centre just a lot more exciting and vibrant for people to experience art, design, photography, music, dance and any other form of self expression, please go and make a comment here on the question.

We (as in the bloggers of this fair city) have set up a site for the purposes of getting a dialogue going on this and other similar issues and even if you just go there and say “more photography plz” or “I’d like a child-friendly internet cafe” or “free wifi” or “stop closing all the irish pubs in digbeth so I can keep listening to the music I love” or  “something like the Mac but next to New Street Station” - whatever your idea is, and no matter how unimportant it may seem to you, if you type it in that box and hit return it ends up _having_ (as in by law) to be considered when the people who make decisions about this place do their thinking.

It’s an open question - what does this city need in terms of culture. I’d hope to see at least 100 comments on that page by the end of the week because it is such an open question and there is no shortage of amazing people in this city.

What’s your idea?

Posted in Big City Plan, Blog | Tagged , , , , , , , , | 18 Comments

5 Counter-intuitive rules for creative people

18th
Jan. × ’09

Here are some counter-intuitive rules that I’m following at the moment, and if you’re a ‘creative entrepreneur’ they might apply to you too:

1. Give good ideas away

Ideas are ten-a-penny. So you’re an ideas person? That’s great, but isn’t it frustrating having loads of wonderful ideas and then not seeing any of them happen? Give one or two of them away instead. Email a rough explanation of the idea in ‘elevator pitch’ format to someone who might be able to make it happen. We’re taught to keep ideas to ourselves just in case someone else ’steals’ them, but to be honest, with so many people in the world suddenly connected together it is action rather than idea-having that is the hard part - try it, if you can’t make an idea happen, send it to someone else who can as an elevator pitch email.

2. Fail more

Totally screw up a lot more and you’re more likely to succeed. Like I said - you’ve got some great ideas. What’s stopping you from just saying ‘I quite like that one’, finding a spare evening or two to work on it and turn it from idea into reality?

If it’s a web idea, like most of mine, the realisation of those ideas can actually take place within a handful of hours. When you’re working in that kind of environment, does it matter if not every idea that you take from concept into reality is a world-beating success story? Not really.

Will it affect your ‘personal brand’? Well, if your brand is all about being safe and not taking risks, then yes it will, and probably for the better. I’m experimenting with lots of stuff at the moment on the web, throwing ideas around, connecting with people in exciting new ways, and all because I want to totally fail at a bunch of ideas.

Fail fast, fail often, succeed massively every once in a while.

3. Play, don’t work

The closer I move my work to a kind of ‘digital play’ the more I get closer to being in a state of ‘flow’ with my work. Flow is that amazing sensation when your brain almost goes into automatic pilot, you can see yourself doing what you’re doing and it just feels almost effortless. Athletes, artists, designers, dancers, actors, almost everyone experiences ‘flow’ and for me I can make myself get into that state by being more playful in the way that I work.

I think that the more that creative web people can get into that state and feel ‘code joy’ while mashing something together online that nobody has done before, the more amazing ideas will flow, and the more success and wellbeing will emerge.

4. Don’t get things done

A lot of people have been recommending I follow very structured processes for ‘getting things done’, which is actually something of a semi-religious movement around personal productivity (shortened to GTD).

I like the idea - that people can achieve more with their time. But actually there is a subset of that scene that talks about a ‘four hour work week’ (there’s a book). For creative people I cannot imagine anything worse that a life goal of sitting around doing absolutely nothing for the other 164 hours. For creative people, drive, ambition, life goals and personal motivation are all intrinsically tied to the urge to create. GTD and The Four Hour Work Week urge you to remove the actual process of being creative from the day to day flow of being a creative person.

It means that you must close yourself down and be very timetabled and task-based in what you do with your day. “Between the hours of 11am and 2pm I will have some inspiration”

This is entirely the opposite of what I think will be required of creative people, so I am doing precisely the opposite.

‘Don’t Get Things Done’ means keeping your eye on the overall strategy of what you are trying to achieve, but crucially being totally open to accepting tangents and changes of plan along the way, and crucially on a very short timeline. Yes, have a rough list of what you need to do, but get on with the ‘being creative’ side of things and let other people that you are working with deal with whatever structury, legally, stop-the-creativity things they need to be doing.

It means letting a few things go by the wayside, being slow to respond to a few emails, but by focussing on what you’re trying to do at the same time as taking interesting tangents and exploring you’re bound to come up with things that other people won’t in the same length of time.

5. Get riskier

I’m really bad at Monopoly. Until I win. My strategy is pretty much always to bag the two most expensive properties on the board and get a hotel on them as quick as possible. Yes, it’s risky. Yes, it means I often lose. But when I win it’s totally game over for whoever lands on that hotel.

A lot of people busy themselves talking about entrepreneurial risk - the ‘put everything on the line’ mental state you have to live with when you’re running your own company. In an online world that just gets more pronounced. In order to succeed on the web, it seems to me that there will always be someone else who can build the thing you’re doing faster and better than you ever would. And if it’s not faster or better it’s in another language or with a big media partner you didn’t have time to approach just yet.

So the only way to really succeed is to ‘ring-fence’ each of your ideas with just an acceptable level of risk (nobody is going to come and kill me if this bails out) and then push as hard as possible on that idea within the length of time you’ve given it.

6. Accelerate serendipity

The unexpected rule. By far the best way of making big and amazing things happen on the web is to connect with other people who can give you a leg up. The trouble is, you don’t know who or what is going to help you in your mission until you’ve met them or found out about them. So, the only reasonable strategy is to ‘network’, but I’m now of the opinion that ‘networking’ as was is just one part of the equation for the kind of connectivity we’re seeing happening online.

It’s a bit ’social media’, it’s a bit ‘meet up in your local area’, it’s also a bit ’set out your stall’ - but in all of this, if you have your eye on one simple idea you’ll succeed: accelerate serendipity - make more ‘happy accidents’ happen. Find ways to engineer inspirational encounters with people you will grow to know and admire.

Find ways for potential collaborators to just ‘bump into you’. Work in a cafe more often. Hang out in unusual places. Accept invites to stuff you probably shouldn’t go to because you’re too busy. Go to unexpected and tangental conferences. Work in the web? Don’t go to ‘User Experience Expo 5′, go to where a philosopher is speaking at a university near you instead. Randomise your work-week.

I’m not saying that these rules will work for anyone but me, but these are general rules I’m obeying for myself and so far it’s making for an exciting way to work -sorry- play.

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Mix: A Gift to Future Selves

8th
Jan. × ’09

http://flickr.com/photos/aeioux/3179907227/

Another in my series of experimental, filmic, soundscape, found sound, ambient, folk, classical montage mixes.

Headphones recommended. Darker in tone than my previous mixes, but that darkness is punctuated by positivity and possibly resolved.

Listening in eeries places (like whilst on the London Underground alone) is perhaps not recommended.

A Gift to Future Selves:

00:00 First Commercial Message (1890) - P T Barnum
00:09 For Francis Bacon (Part 2) - Anduin
06:42 Terrified Bad Music Will Be Made Into Records - Sir Arthur Sullivan
07:11 Past Tense Kitchen Movement - Ezekiel Honig
10:58 Saffron Revolution - Fennesz
16:06 Reeds of Brown Lake - Lawrence English
17:48 Footpath Apparition - Loren Chasse
22:40 Melodia (li) - Johann Johansson
24:16 Porselein - Machinefabriek
30:47 Last Light - Svarte Greiner
37:57 Intercepted Communications - Lawrence English
38:02 The Raven - Edgar Allen Poe
41:14 Terminal Motor - Lawrence English
45:01 Silver Wings - Inca Ore
50:11 Figase - Gultskra Arikler
55:06 Forest Mountain - Nalle
61:15 San Solomon - Balmorhea
63:24 Final Farewell - Florence Nightingale
64:05 Voice in the Headphones - Mount Eerie With Julie Doiron And Fred Squire

Posted in Mixes | Tagged | 5 Comments

Twadio - “The Sound of Silence”

5th
Jan. × ’09

Twadio

Announcing Twadio - The silent radio station that plays in your head

Twadio is another in my series of micro-startup web ideas with Andrew Dubber and is a cute little idea: you follow a user on Twitter (the tweejay) and every few minutes you get a music track title and artist name in your twitter stream.

Sounds simple, but the cute thing is that you will definitely already know that nearly every track that the station ‘plays’ and just from the title you should be able to get that song stuck in your head, at least until the next song plays. Hence - ’silent’ radio. You can listen to Twadio in places where you can’t normally listen to music even or use it to shake that awful Spice Girls track out of your brain that you heard in the taxi - at least that’s the idea.

And if you don’t know a track or you suddenly realise you have to have it in your collection, you can get a thirty second sample of it on the site under “how does it go again?” and then buy it from Amazon on MP3 (and hopefully iTunes soon). We get a tiny percentage of any sale - that’s how it pays for itself.

So far we’ve had some great comments back from our ‘alpha testers’ (thanks all!), the best of which was “this is somewhere between genius and WTF” from spookydirt - thanks!

This was something of an experiment.

On Saturday morning at 6am (don’t ask) I sat with Dubber’s list of tunes that he had hand-picked for the task, decided to teach myself as much Python as I needed to do my first Google App Engine application and set to work. I had it all online by about 11am, and then spent a few hours that evening and Sunday morning tweaking the graphics and trying to get the domain name to work.

Seriously - that was more complicated than the whole app - registering domain names on Google and getting them to point to your Google App Engine site is feindishly complicated and requires having at least twenty tabs open in your web browser. Then, a morning of testing with our generous twitter alpha testers, and we released it at 4pm.

So a total of 34 hours start to finish, with a trip to the ever excellent Ikon Gallery all saturday afternoon, lots of playing with my toddler, doing a few bits and bobs around the house and some sleep of course. So let’s say fifteen hours work?

Anyway - just shows what you can do with freely available tools and friends who have crazy ideas.

What’s your web idea that you shelved in 2008 because it sounded too hard?

Posted in startup | Tagged | 2 Comments

Why Andy Burnham’s plans for censoring websites with film-style age certificates won’t work

30th
Dec. × ’08

Here’s an article I wrote for the Birmingham Post, published on page 5 today:

How would you feel if everything you tried to access on the internet were filtered for “unacceptable content” by government censors?

That’s a possibility Andy Burnham, secretary of state for culture has proposed this week.

He’s concerned about the fact that he can’t leave his kids for two hours alone on the home computer without fear that they will be exposed to inappropriate content. The problem is that the internet doesn’t take into account the user’s age when they access it and doesn’t have a 9pm watershed.

How can a dad trust that if he lets his ten-year-old daughter use the internet for a while unsupervised that she won’t accidentally click on something that’s not meant for her, be exposed to something frightening, violent or sexually explicit and suffer nightmares for weeks afterwards? Or even, how can he trust that if he gives his 14-year-old son a free email account that he won’t be inundated with sexually explicit spam email?

The answer is that parents and guardians of kids just can’t. There is no internet-wide, internationally agreed method for parents to filter out what is, and isn’t, appropriate (in their view) for their kids.

So Mr Burnham commissioned an excellent report into these issues by clinical psychologist Dr Tanya Byron who neatly summarises the problem: “Many parents seem to believe that when their child is online it is similar to them watching television … in fact it is more like opening the front door and letting your child go outside to play, unsupervised.”

So what’s to be done?

Mr Burnham is currently considering a couple of options that have set bloggers raging: How about websites having cinema-style age ratings like they do for films? Or how about forcing the internet service providers, like BT and Virgin Media, to filter out sites that host ‘inappropriate’ content? Neither of these ideas will work, and here’s why:

There are currently one trillion web addresses in Google’s index of the web. But some estimate that the size of the ‘invisible web’ – the password protected pages, the things that aren’t linked to anywhere – is about ten times that size, so let’s estimate that there are 100 trillion web addresses out there (strictly, it’s infinite but that’s another story).

If you or I were to attempt to go through each of these sites by hand and decide whether they are appropriate or inappropriate for our kids, one page every second, it would take over 30 million years! Or put another way, you could have 30 million people employed to do the job.

That’s just the web. People often conflate the words ‘web’ and ‘internet’, but there are a huge number of services that use the internet that don’t appear as ‘web sites’. A big one, that’s hugely popular with kids is MSN – it’s like text messaging on your phone, but quicker, more fun and free. Are we going to have some kind of system monitoring every message that gets sent for ‘inappropriate content’ too?

Obviously this is an impossible task to be done by hand, so the government would need some sophisticated software to do it. The trouble is that computers find it very difficult to analyse a piece of text or an image and decide if it’s ‘bad’ or ‘good’ depending on some criteria. The web is very different to the world of film (or games). Once you’ve released your film, that’s it – it’s done and can be quite easily given an age rating. But websites change from day to day or are even so dynamic that pages don’t exist until requested. One minute a site could just have pictures of kittens on it, the next someone could upload some legal, but adult content. How would you rate a photo-sharing site like Flickr where around 5million images are uploaded every day, a handful of which might be ‘inappropriate’? Over 18 only? That would make hundreds of thousands of blog posts suddenly image-free for the filtered user because bloggers tend to use Flickr images to illustrate their points.

And how are we to legislate for websites that are produced or hosted outside the UK?

And furthermore, who decides what content should or should not be permissible to be viewed?

Earlier this year Birmingham City Council’s internet filter ‘Bluecoat’ amusingly barred employees from accessing prominent atheist Richard Dawkins’s blog because it contained “occult practices, atheistic views, voodoo rituals or any other form of mysticism” [since writing this it's been brought to my attention that this is not actually the case, although plenty of websites were filtered], and in fact my own blog was blocked to council employees for some reason too. [this is definitely the case, but my blog is no longer blocked]

If we were to roll out something along the lines of what the Australian government is attempting this year, where every internet connection in the country is filtered with a system like this, we would see more of these kinds of ‘false positives’ occurring. And a flurry of lawsuits from legitimate but banned website owners would follow.

But surely it is ultimately the responsibility of the parent to help their kids navigate the dangers of the online world? The government putting out the message that they’ve got the kids protected with an electronic system will just mean more kids will be left in front of computers for hours at a time, and if you’ve ever done any work with young people you know just how easy they find it to get around any filtering system.

What alarmed me the most, though is this comment from the interview with Mr Burnham in one newspaper: “There is content that should just not be available to be viewed. That is my view. Absolutely categorical.”

I disagree entirely. Once something is on the internet it is potentially always accessible, because it can be copied by anyone. Wish-thinking that this is not the case does not help. If you take some content down from one site, it will just reappear elsewhere.

Put simply, rating websites and filtering internet connections are unworkable ideas, and the Byron review draws the same conclusions, so it is confusing to see them even being discussed.

Here’s an alternative suggestion. One of Mr Burnham’s predecessors made free museum access for all a reality. So how about something of similar ambition for the web?

This year, the UK e-commerce market grew a whopping 28 per cent and is set to continue growing in 2009. The digital media industry could prove to be a big success story in a time of recession.

How about free WI-FI access in every UK city? Or upgrading our national broadband network to the level that Korea enjoys?

Either of these ideas would be by far a more constructive project and lead to marked benefits to the UK digital economy and are precisely the kind of ambitious projects that only Mr Burnham is positioned to undertake.

In the mean-time the solution to the problem of kids and the internet is simple. Parents need to get familiar with the technology themselves so they can help their kids navigate the digital world. That’s where the government can help – by educating parents and breaking down the generational digital divide.

But some quick advice to parents. You should make sure the computer is in the living room so you can see the screen (not in the child’s room) and you should not leave your kids browsing the web unsupervised. You could also install something like NetNanny for younger kids, try out KidZui for kid-friendly content and install the Glubble kid-safe browser. None of which requires any government spending.

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